LOUISE BOURGEOIS (1911-2010) Eye Benches III
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LOUISE BOURGEOIS (1911-2010)
Eye Benches III
incised with the artist's initials and edition number 'LB 6/12' (along the lower edge)
granite, in two parts
each: 51 x 96 x 55in. (129.5 x 243.8 x 139.7cm.)
Executed in 1996-1997, this work is number six from an edition of twelve
PROVENANCE
Cheim & Reid, New York.
Acquired from the above by the present owner in 2009.
LITERATURE
R. Holden, New Landscape Design, London 2003 (another from the edition illustrated in colour, p. 30).
R. Storr, Intimate Geometries: The Art and Life of Louise Bourgeois, London 2016, pp. 549, 679 (another from the edition).
G. Harper and T. Moyer (eds.), Landscape for Art: Contemporary Sculpture Parks, Hamilton 2008, p. 52 (another from the edition).
F. Nicòli, Giù Le Mani Dalla Modernità, Milan 2013, no. 11 (another from the edition illustrated, p. 227).
EXHIBITION
Pittsburgh, Agnes R. Katz Plaza, Permanent Installation, 1998-Present (another from the edition exhibited).
Santomato de Pistoia, Fattoria die Celle, Magnet: Foreign Artists in Tuscany, 2002 (another from the edition exhibited).
Seattle, Seattle Art Museum, Olympic Sculpture Park, 2007-Present, p. 60 (another from the edition exhibited).
Carrara, Villa Fabbricotti, Nothing but Sculpture, XIII Biennale of Carrara, 2008, pp. 24-25, 36-37, 42-43 (another from the edition exhibited, illustrated in colour, pp. 44-45).
Cambridge, Jesus College Cambridge University, Sculpture in the Close, 2017 (another from the edition exhibited).
Beijing, Song Art Museum, Louise Bourgeois: The Eternal Thread, 2019 (another from the edition exhibited).
Hernani, Chillida Leku, Louise Bourgeois, Eye Benches III, Guest Work, 2020-2021 (another from the edition exhibited).
Portland, Oregon Contemporary, Special Art on Loan, Louise Bourgeois, Eye Benches III, 2021 (another from the edition exhibited).
Gstaad, Le Grand Bellevue, Louise Bourgeois, 2021 (another from the edition exhibited).
LOUISE BOURGEOIS (1911-2010)
Eye Benches III
incised with the artist's initials and edition number 'LB 6/12' (along the lower edge)
granite, in two parts
each: 51 x 96 x 55in. (129.5 x 243.8 x 139.7cm.)
Executed in 1996-1997, this work is number six from an edition of twelve
PROVENANCE
Cheim & Reid, New York.
Acquired from the above by the present owner in 2009.
LITERATURE
R. Holden, New Landscape Design, London 2003 (another from the edition illustrated in colour, p. 30).
R. Storr, Intimate Geometries: The Art and Life of Louise Bourgeois, London 2016, pp. 549, 679 (another from the edition).
G. Harper and T. Moyer (eds.), Landscape for Art: Contemporary Sculpture Parks, Hamilton 2008, p. 52 (another from the edition).
F. Nicòli, Giù Le Mani Dalla Modernità, Milan 2013, no. 11 (another from the edition illustrated, p. 227).
EXHIBITION
Pittsburgh, Agnes R. Katz Plaza, Permanent Installation, 1998-Present (another from the edition exhibited).
Santomato de Pistoia, Fattoria die Celle, Magnet: Foreign Artists in Tuscany, 2002 (another from the edition exhibited).
Seattle, Seattle Art Museum, Olympic Sculpture Park, 2007-Present, p. 60 (another from the edition exhibited).
Carrara, Villa Fabbricotti, Nothing but Sculpture, XIII Biennale of Carrara, 2008, pp. 24-25, 36-37, 42-43 (another from the edition exhibited, illustrated in colour, pp. 44-45).
Cambridge, Jesus College Cambridge University, Sculpture in the Close, 2017 (another from the edition exhibited).
Beijing, Song Art Museum, Louise Bourgeois: The Eternal Thread, 2019 (another from the edition exhibited).
Hernani, Chillida Leku, Louise Bourgeois, Eye Benches III, Guest Work, 2020-2021 (another from the edition exhibited).
Portland, Oregon Contemporary, Special Art on Loan, Louise Bourgeois, Eye Benches III, 2021 (another from the edition exhibited).
Gstaad, Le Grand Bellevue, Louise Bourgeois, 2021 (another from the edition exhibited).